The pre-Raphaelite movement in America: an introduction -- The British brotherhood -- Buchanan Read and the Rossettis -- William J. Stillman: "The American pre-Raphaelite" -- The Crayon: the first ...
Winifred Sandys, "White Mayde of Avenel" (after 1902), watercolor on vellum, 8 × 6 inches. Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935 (all images courtesy Delaware Art Museum) ...
Publication date from publisher's Web site. "Checklist of works exhibited in Washington": pages 246-249. "The Pre-Raphaelite Brotherhood shook the mid-19th-century art world. Effectively Britain's ...
The top-selling image at the museum bookstore of London’s Tate Britain is of a young woman floating on her back in a quiet river. Heavy-lidded eyes stare emptily upwards, lips are parted in confusion, ...
Written for THE NEW YORK TIMES SATURDAY REVIEW OF BOOKS by Joseph Jacobs. Author of (SOME RECOLLECTIONS OF SIR EDWARD BURNE-JONES.) This is a digitized version of an article from The Times’s print ...
The Google Doodle for November 18 honors Fanny Eaton, a muse to the Pre-Raphaelites who helped redefine Victorian standards of beauty. Born in Jamaica on June 23, 1835, Eaton moved to London in the ...
The meaning of art is in the eye of the beholder. To straitlaced Victorians, John Everett Millais’s painting Ophelia epitomized the shocking new ideals of the Pre-Raphaelite Brotherhood, a group of ...
It isn’t immediately obvious, to contemporary eyes, what made the art of the American Pre-Raphaelites seem so ugly and so radical to 19th-century critics. Their intimately detailed water colors and ...
LONDON (Reuters Life!) - Victorian art is making a comeback in London this summer with a major exhibition, and the biggest retrospective to date, of works by John William Waterhouse, who died in 1917.
Two exhibitions at the Art Gallery of Ballarat offer visitors a chance to get up close with Pre-Raphaelite works. In partnership with the Art Gallery of Ballarat, we sit down with the gallery’s ...
LONDON — In 2019, museums ostensibly wrote women back into art history. In London we saw Dora Maar (Tate Britain), Lee Krasner (Barbican), and Dorothea Tanning (Tate Modern) all step out from behind ...
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