The idea behind Steven Spielberg’s latest film, “Disclosure Day,” has a ripped-from-the-headlines origin story. The auteur, 79, is reuniting with one of his favorite genres for his 37th movie: science fiction.

When ET phones, don’t pick up. Scientists have outlined a set of protocols for responding to extraterrestrial contact, including a bizarre directive to refrain from answering cosmic correspondence. Adopted by the International Academy of Astronautics (IAA),

The Pentagon has released hundreds of UFO-related files, including Apollo mission transcripts, military videos and eyewitness reports of unexplained aerial phenomena. While the disclosures have raised questions over extraterrestrial life,

If they hadn’t finally shown themselves at the end of the movie—in a sky-filling, strobe-lit mother ship too awe-inspiring to conceal—there’s no doubt the U.S. government would have gone on hiding the truth forever.

A newly released UFO images from the Trump Administration's archive has sparked intense online debate, with critics questioning its authenticity and supporters viewing it as a turning point in government transparency.

Across his entire career, Steven Spielberg has delivered some of the greatest films ever made about alien life. First he probed the unknowable mystery of it all, in 1977’s Close Encounters Of The Third Kind. Then he explored notions of human connection ...

NEW YORK (AP) — A moment early on in “Disclosure Day” will instinctively feel familiar to anyone who grew up with Steven Spielberg films. A TV weather report predicts hail. The camera pans downward, from television set to kitchen table. Plinking sounds begin. Cereal falls into a bowl.

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